Reviewed by Tim Dirks the title of the film is explained:
Explain the view of youth and youth culture in A Clockwork Orange. Is it a positive or negative vision? The vision of youth culture in A Clockwork Orange is almost entirely negative, a horrifying extreme of the tendencies of young people in the early s, when Burgess wrote his novel.
The young people are obsessed with fashion and insipid pop music, valueless products fed to them by the mass market. The slavery to fashion speaks to the essential conformity of young people, as does their love for pop music. Burgess, a musician and composer himself, had a low opinion of popular music enjoyed by young people in the s and s.
Alex alone enjoys classical music, and he is mocked for requesting a symphony at the record store. The young people are oversexed, with girls not even ten years of age wearing padded bras, and rape seemingly commonplace.
The actions of Alex and his droogs show that their psychological development is still in its infancy. They demand that all their impulses and desires be gratified, regardless of the cost to others, showing that like babies, they still have not developed a conscience.
Youth, Burgess suggests, is a sort of clockwork period of its own, young people being too immature to think for themselves. Only through error and suffering will they reach maturity, as Alex does in the end of the novel. What does it mean to be a clockwork orange?
Was Alex always a clockwork orange, or was he made so by the Ludovico Technique? A clockwork orange, according to the fictional writer F. The psychological conditioning imposed on Alex removes his ability to do wrong. Even when he wants to or tries, he cannot commit any act of violence, even to defend himself from harm.
As a side effect of the procedure, Alex cannot listen to music, as it, too, inspires violent thoughts which then trigger his feelings of illness. Far from being a good Christian, he has become like a soulless machine. Before the Ludovico Technique is used on Alex, he is a free being, given free will to do what he likes.
And Alex simply likes to do evil and violence. However, it could be said that in his compulsive violence there is also some kind of mechanical quality. In the end of the novel, Alex likens youth to a state of being like a wind-up toy, going along straight ahead and banging into things because it is not able to turn and avoid them.
In other words, Alex may always have been something of a clockwork orange. In the first part, he can only do evil, and in the second part, he can only do good. At last reaching maturity, Alex will be a creature capable of making moral decisions in life.A clockwork orange is currently considered like to be one of the 50 movies you should see before you die, and one of the Stanley Kubric's most polemic films.
In spite of being a sci-fi movie, it doesn't contain any visual effects, it has a catchy screenplay as well, which is based on a book. Essay on The Paradox of A Clockwork Orange Words 9 Pages The grace of evil in A Clockwork Orange is a recurring paradox throughout the novel and also implies a deep religious connotation.
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A Clockwork Orange, written by Anthony Burgess and published in , is a deceptively complex work with regard to Burgess’s treatment of language. He combines straight English, Cockney English, and a Russian-influenced argot called “Nasdat”.
A Clockwork Orange Essay: Blindness in A Clockwork Orange - Blindness in A Clockwork Orange In the novel, A Clockwork Orange, Anthony Burgess has tried to show the importance of individual freedom over doing the right thing.
A Clockwork Orange is an anti-utopian novel, showing a world where disobedient young gangs haunt innocent citizens by raping and terrorizing them to satisfy their own corrupt desires. Orwell's dystopia of is a place where humans have no control over their own lives, where nearly every positive feeling is squeezed the life out of, and 3/5(4).